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CAMH Stories Centre for Addiction
and Mental Health

PhotoVoice clients step into the light

​How photography is helping CAMH clients focus on their mental wellness

Photovoice image
Light and darkness are often used as metaphors in mental health and addictions, and for many CAMH clients, the dichotomy between the two is a perfect way to illustrate their journey through recovery. Light is also an essential aspect of photography, and its presence or absence determines how a camera is able to capture photos.

On April 10, clients in the Addiction Medicine Service were at Artscape YoungPlace to unveil their photography as part of the latest CAMH PhotoVoice Exhibit, Into the Light, which was on public display from April 11-12. The exhibit was a culmination of an 11-week program that incorporates photography into recovery. 

In development

Returning this year as program facilitators were Occupational Therapist Nicole Bartlett and Patient Experience Officer Sean Patenaude – each lending insight into the creative process and teaching clients about using photography as a storytelling outlet and therapeutic tool. “It’s really great to see the transformation people have from the very first week – they’re a bit anxious… they’re insecure about their work. Now you can see that everyone is clearly very proud [of the photos they produced],” says Nicole.

This year the team welcomed a new addition, Paul Koniec, a nurse with the Addiction Medicine Service.

“I love photography. I understand the benefit it can have – it’s extremely therapeutic,” said Paul, a former professional photographer. He describes his own journey, and why he was drawn to this program. “When you first start photography, you love it for the art. When you start making money off of it, it becomes just a job, and I gave up photography several years ago because it was [about] money. I lost the love for it because it was just a means to make money – I didn’t care to be creative, I just cared to make a buck.”

“What this group, and this whole experience did for me… it got me to pick up a camera again. For the love. It was the inspiration I got from the clients, and it inspired me to get back out there.”

Exposure

“This is my first time doing this program. I always liked taking pictures, but nothing quite like this. It’s quite exciting,” said Christine, a client with the service. The photographs she’s chosen as part of her exhibit tell a story that’s close to her heart. “This is kind of like my journey… this is my journey,” she says.

Christine
For Christine, PhotoVoice also gave her a reason, and at times even forced her, to get outside. “I was isolating myself… this gets me out of the house. People sometimes ask why I’m taking pictures, and I’ve met new friends from just being here,” she said. “Everyone here is very supportive, I’ve learned a lot of things about photography I had no idea about… everyone here is really helpful. It’s really helped me and has given me something to look forward to.

“I’m definitely going to keep taking pictures. I’ve committed to this and wanted to follow through with it.”

Focus

Leah LeDrew has been a client with CAMH for several years, but this is the first time she’s participated in PhotoVoice.

“I have a literary background, but I was always focused on visual arts within my Masters thesis,” she said prior to the exhibit, as she wrote down ideas for her photo captions. For Leah, the program was a perfect way to meld both literary and visual arts, and it’s evident in the thoughtful ways in which she describes her photographs. 

Leah
“I liked just snapping at things that interested me, and then a theme started emerging. I started with the name of the exhibit – it’s a play on coming out of depression. That’s what we’re here for,” she said. When asked what in particular it was about the theme that struck her, Leah put it simply, “Just the metaphor of the darkness. In a lot of these photographs, the light is trying to push the darkness back.” 

An important aspect of photography is light: without enough light, your camera can have trouble focusing. The same can be said with people, and there are times when we need to try hard to focus.

Paul - Peter
“I need a project to force me to actually follow through, and that’s what this program is good for… I was accountable to a group and an end-game. Hopefully I keep the momentum going, and do it for myself.”

While life isn’t always going to be bright skies, Leah saw the project as an opportunity to find light in everything. “I just had my camera with me at all times, just in case… and there’s a lot of ‘just-in-cases’. I’ve always been visually oriented before, but now I can’t stop looking for the pictures. Having a community focused on the same thing [was helpful].”

Composition

“PhotoVoice is becoming more well-known, now that we’ve done a couple of cycles. We’ve had some people come back and do it again,” says Nicole.

One of those returning clients is Peter. A few days before the show, clad in a Hasselblad Camera vest, he spoke about his decades of experience with photography, and how, like Paul, his love for photography has been rekindled. While he’s reticent to compare his work of last year with this year’s, it is apparent that there’s a difference in the subjects of his photos. This time around, his photos include several street portraits.

Peter photos
“These are people I somewhat know, in a sense… I know their names and what they do for a living, where they come from,” said Peter. “[Asking people for permission to photograph them] never used to be a big issue, but for the last while, it’s been an issue. I’ve lost my confidence, basically.” But it’s apparent from the photos that his confidence is returning.

“Going way back, I never had problems stopping people in the streets in different cities and countries, asking people to pose for me and mostly getting people reacting in a positive way. I think I’m getting some of [my confidence] back, but there’s still a long way to go. I’m trying to get back into it again”

Peter continues to grow as a photographer and as much as possible, he tries to incorporate photography in his daily life. “I carry at least one camera with me every day… digital or film. Sometimes the film camera is even a medium format camera [which is bigger than a regular 35mm camera].”

Peter-Paul
Experienced photographers Peter and Paul share thoughts on photo composition

Beyond photography

The program isn’t just about teaching people to be better photographers or better storytellers. Part of the aim is to help clients appreciate their surroundings, and use interventions like mindfulness and Cognitive Behavioural Therapy in practical applications.

“We went out to two art galleries with the group – twice to Camera across the street, and once to the Gladstone to see Workman Arts’ Being Scene exhibit,” said Nicole. “We try to probe them with questions, like, ‘are you noticing more in your surroundings that you want to capture?’. CBT definitely also comes into it; the behavioural activation of getting out, even if they don’t feel like it, is something everyone has had to do at least once.”

The famous photographer Ansel Adams once said that “You don’t take a photograph. You make it.” There’s no truer example of this than the photography on display, as clients weave light and darkness into a narrative that is personal but shared. 

Hugh
Hugh, another PhotoVoice participant and CAMH client has 40 years of photography experience.

Christian photos
Christian’s photos show great framing and composition, but one thing you may not notice is that each photo features at least one of his dogs in some way.

This PhotoVoice program is supported by Gifts of Light’s comfort fund, and has received support from Downtown Camera and Artscape Youngplace.


Published May 10, 2017

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